The
inscription “Ala-ala, Eulogia, 1986” reads “Memory, Eulogy, 1986” and
“Bala, Alab, Babala“ reads “Fire, Bullets, Warning.” The two half portraits depict Jose Rizal and
Andres Bonifacio while a tiny Emilio Aquinaldo stands between them. This work is an ironic commemoration of the three
foremost heroes of the Philippine revolution of 1896.
In addition to the artist’s penchant for tongue in cheek commentary, perhaps
he is showing dissatisfaction with the current state of affairs. Was the century old revolution fought in vain? |
Justiniani
appropriates images from the wildly decorated jeepneys to project political satire.
Jeepneys, the most popular transport vehicles in the Philippines, are frequently decorated
by their owners. By using colorful vinyl
stickers and reflectors they create all sorts of imagery and icons. Using this technique, Justiniani superimposes
figures from history to create truly wonderful multimedia extravaganzas full of
intelligent and wit.
A
member of various art movements, he has represented the Philippines in various
international exhibitions. Most recently his
works were featured at the Asian Art Museum of San Francisco |
- Eulogy,
1998
- 30"
x 36", mixed media
|
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Amit May Fine Arts