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Through Artists Eyes: Glimpses of Cuba

 
Artists from Remedios
The second section of this exhibit examines artists from Remedios, a small colonial town that is part of Cuba's provincial charm.  A rambling town of 20,000, its winding streets may have more horse drawn carriages and bicycle cabs than autos at any given moment.  Yet in spite of it's quaintness, Remedios is home to several  interesting artists; some of which practice the Afro Cuban religion of Santería, whose symbolism and energy feature prominently in their works.
 
 

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Manuel Méndez
Babalú Ayé
(San Lorenzo- god of health), 2002
oil on canvas, 21" x 15.5"
Amit May Collection

Manuel Méndez
Changó
(Santa Barbara- god of thunder), 2002
oil on canvas, 21" x 15.5"
collection of the artist

Mr. Méndez is an active practitioner of Santería, the Afro Cuban religion dating back to the early Yoruba dynasties of West Africa.  A testament to modernity, this recent series of paintings are titled "Spirits of the gods watching over the world."   In these works memory is a skilled seducer, as surreal eyes watch, linking symbols of the past with the presence of today.

 

 

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Manuel Rodriguez Bello
From My Spirit, 2002
oil on canvas, 40" x 28"
collection of the artist

Manuel Rodriguez Bello
Possessions on My Back, 2002
oil on canvas, 40" x 28"
collection of the artist

Also a practitioner of Santería, Mr. Bello's art weaves a rich tapestry of symbolism and rituality.  Here the veneration of orishas and saints dominate, with offerings of lush tropical fruits and other elements prominently displayed.  Afro Cuban Santería is a unique blend of African rituals and Catholicism, brought to the island almost 500 years ago with the arrival of African slaves.  As in other Caribbean cultures, it has changed to persevere, yet reflects it's original sources, those of West Africa.   Today it is a testament to the unique culture African slaves brought with them to the "New World."

 

 

Robinson Rodriguez- The Events.jpg (46479 bytes)

Robinson Rodriguez
The Events, 2001
oil on canvas, 18" x 17"
Amit May Collection

Robinson Rodriguez
untitled, 2002
oil on canvas, 48" x 32"
collection of the artist

I discovered Mr. Rodriguez' art in a small collective show in town.  His works easily stood out as some of the best in that exhibitBeing a scant 19 years old, he is still going to art school, and was away taking classes.  I spoke to his family, who for good reason is very proud of their son and hopes he will have a successful art career in Cuba.  What I find most intriguing about his works, are not only the technical accomplishments, but also the maturity and social commentary they reflect.  Like some of the more experienced artists in Havana, Mr. Rodriguez also had difficulty with censorship, and his use of the clown is an apt metaphor for what frequently goes on between officials and artists.  To find this level of artistic expression, in a young artist living in the provinces, is remarkable indeed.

 
Photo Essay: Havana & Remedios
From the urban polyrhythm of Havana to Remedios, a vibrant colonial town that time has forgotten.

 

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